Author

Mary

Keri Russell was not ready for more TV. After making six highly acclaimed and intensive seasons of FX’s The Americans, in which she starred as the enigmatic Russian spy Elizabeth Jennings, she came out of the experience ready for a life of shorter-term—and perhaps less emotionally draining—work commitments. “I definitely wasn’t looking to do another series,” she says. When the script for the London-set The Diplomat by Debora Cahn came her way, Russell was also planning on moving to a new home across the country with her family. So shooting in Europe for seven months seemed completely unfeasible, even beyond the shift in focus. And yet here Russell sits, in a Zoom window right beside Cahn’s, with the first season of The Diplomat completed and set for an April 20 release on Netflix. (Watch an exclusive clip below.)

“I just couldn’t stop thinking about it,” Russell concedes. “So I was like, This is impossible—and I’m going to do it.”

Following the B movie phenomenon that is Cocaine Bear, The Diplomat continues a theme for Russell in 2023: fun. That may sound unlikely given that the drama series hails from Cahn, a veteran of high-stakes political TV like The West Wing and Homeland. Its premise sounds similarly weighty: An Afghanistan-bound diplomat (Russell) is instead named the unexpected new US ambassador to the United Kingdom, where she’s tasked with averting international crises—brewing war on one continent, boiling conflict on another—in an unfamiliar milieu. But The Diplomat is hardly stodgy. The show has as much in common with Veep as it does Homeland in its focus on the way people actually operate in spaces of such power and impact—behavior that is thoroughly, brutally human.

As Cahn describes her show’s philosophy: “The world might end on Tuesday because of a decision that they do or don’t make, but that doesn’t mean they remember the name of the person they’re talking to, and that doesn’t mean that they didn’t forget to take the tag off of their pants.” She came up with the idea for The Diplomat during her tenure as a writer-producer on Homeland. A range of experts came in to tell their stories, including ambassadors. “They’re quiet and unassuming. Like, this woman who looks like my Aunt Ruthie—she was in the middle of a crisis involving nuclear waste and a truck driving off an icy Siberian road and bombs dropping,” she says. “Nobody knows what these people do. It’s such front-lines-y kind of activity, and nobody ever knows about it.”

Enter Russell’s Kate Wyler, a brilliant crisis manager without much affection for the spotlight, as evidenced by her brusque demeanor, plain attire, and political skills behind the scenes. Russell’s performance is vivacious and dynamic—a true actorly joy flows into her character’s neuroses and frustrations, to say nothing of her faculty with wry dialogue, in a way that feels fresh. “I was like, Keri’s an incredibly gifted actress, she can play this role—but I didn’t know that she was this role,” Cahn says. “I was like, Kate is a little bit neurotic and kind of itchy, and Keri Russell is graceful and statuesque. But it turns out she’s that.”

With this being Russell’s first interview about the project, that link between performer and role effortlessly reveals itself. “Please let someone else wear the pretty dress and the makeup—it’s always more fun to be the normal person,” Russell tells me, describing what enticed her to take on The Diplomat—at which point I remind her that a key story line in the show’s pilot revolves around Kate’s new handlers trying to get her to wear, yes, a pretty dress that she does not want to wear. (“That’s true!” Russell says with a laugh.) The series’ fish-out-of-water concept finds Kate especially thrown off by the customs and manners of life inside centuries-old mansions. Russell describes filming inside them with a similar befuddlement: “It was a good time, but these fancy big houses where there’s a million people working in them and just opening doors—it makes me sweat just thinking about it,” she says. “All the people staring at you when you have to walk in!”

Continue reading In The Diplomat, Keri Russell Lets Loose—And Maybe Saves the World