– Grimm Love DVD Captures
– Grimm Love DVD Captures
Joan Allen (Room, ABC’s The Family) made her Broadway debut in this play as dancer Anna when it hit the Off-Broadway stage in 1987, and the performance earned her a Tony Award for best actress in a play. Russell will now take over the role in the 2019 revival, while Driver has already been announced as “dangerous, sexy, raw, and demanding” Pale, John Malkovich’s old part. The revival is being directed by Michael Mayer, who won a Tony for Spring Awakening in 2007.
Set in downtown New York in the 1980s, Burn This is the story of four city dwellers whose lives are upended by a young dancer’s accidental death. The spiritual and emotional isolation between Pale and Anna are explored amid their tempestuous relationship after they’re brought together by a personal tragedy.
Russell’s schedule following FX’s The Americans is filling up fast. With the series finale airing in May, the actress has been confirmed for an unspecified role in Star Wars: Episode IX — which has already begun filming — as well as a role Antlers with director Scott Cooper (Black Mass, Hostiles). Now she’s in Burn This, which marks a return to the New York theater world for Russell after making her Off-Broadway stage debut in Neil LaBute’s Fat Pig in 2004.
Russell and Driver also collaborated previously for a live reading of Stephen Belber’s Tape in 2016 with Pablo Schreiber.
With producer David Binder (Hedwig and the Angry Inch) on board, performances of Burn This will commence at a yet-to-be-announced Broadway theater in March 2019. Other casting announcements will be made at a later time.
The Case for Keri Russell
Keri Russell’s work in the final season of FX’s “The Americans” was the culmination of a six-season slow burn of a tightly wound woman coming to grips with the crumbling of her world. Voters may opt to reward Russell’s body of work in the critical darling that has oddly never been a big Emmy magnet. From the start, Russell’s Elizabeth Jennings defied convention as the harder, tougher and more ruthless spouse in a sham marriage for espionage purposes that gradually evolved into love, under the most trying of circumstances. A triumph for Russell would also be a hat-tip to the talent and maturation of an actress who got her start while still in her teens.
The best drama actress nominee reveals why she can’t say anything about her role in the next ‘Star Wars’ film.
Earlier this month Keri Russell scored her third best drama actress Emmy nomination for her role as Elizabeth Jennings in FX’s The Americans.
While she’s yet to win a primetime TV trophy for her work in the Cold War drama, which aired its sixth and final season earlier this year, Russell has already had a memorable Emmys experience: She nearly missed the opening of last year’s show after her driver went to the wrong location.
“I had to jump out of the car and walk in heels to this back area, which was like a parking lot, and then there were like five minutes until the show started,” she explains. “Someone finally in a golf cart did let us in.”
While that’s an extreme example, Russell says attending the awards show is often a “high-stress situation.”
“It’s such a double-edged sword because the whole idea is so fun, like as a girl, of getting dressed up and going with my guy. But in reality, it’s not really as fun as you wish it was,” she says. “I think my goal this time would just be to have as much fun as possible. Don’t worry about being nervous. Don’t worry about how you look, which is impossible. Try to have fun and enjoy the moment.”
And she does have a suggestion on how to make it easier for herself others in attendance at the Emmys to enjoy themselves: “I wish someone on the red carpet would just pass out beer.”
Russell spoke with The Hollywood Reporter about the challenges of The Americans’ final season, how her work as a tough Russian spy will affect her career going forward and why she can’t even explain how her upcoming role in Star Wars: Episode IX came about. Continue reading Emmys: Keri Russell on Nearly Missing the Opening of Last Year’s Show, “Exhaustion” of Ending ‘The Americans’
“The Americans” and its star Keri Russell took home three coveted trophies from the 2018 Television Critics Assn. Awards.
The FX spy drama won outstanding achievement in drama and program of the year, while Russell claimed individual achievement in drama.
These three awards helped the cabler earn the most awards of any network — for the third consecutive year. Overall, FX won four awards. The fourth was for “The Assassination of Gianni Versace: American Crime Story,” which won outstanding achievement in movies and miniseries.
More than 200 professional television critics, journalists and members of the Television Critics Assn. (TCA) voted in the 13 categories at the 34th annual awards.
Individual Achievement in Drama: Keri Russell (“The Americans,” FX)
Outstanding Achievement in Drama: “The Americans” (FX)
The reason her name wasn’t on the cast list: she hadn’t signed her deal by the time the studio wanted the news to go out today via StarWars.com. Deadline hears though that she has now officially inked for the unknown role, and that she will be in the finale of the Skywalker Saga movies that has a December 20, 2019 release date.
The casting reunites Russell and Star Wars director and co-writer J.J. Abrams, who created her series Felicity, which ran from 1998-2002. Russell and Abrams also worked together on Mission: Impossible III. Abrams co-wrote the Episode IX script with Chris Terrio.
Russell recently wrapped on the sixth and final season of FX’s Americans.
The main cast of the Episode IX now: Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Kelly Marie Tran, Joonas Suotamo, Billie Lourd, Mark Hamill, Anthony Daniels, Billy Dee Williams, Naomi Ackie and Richard E. Grant, with Carrie Fisher appearing as Leia Organa via unused footage from The Force Awakens.
On June 10, 2018, Rob Benedict joined fellow former Felicity stars Keri Russell, Scott Speedman, Scott Foley, Greg Grunberg, Amy Jo Johnson, Tangi Miller, Amanda Foreman, Ian Gomez and writer/director Lawrence Trilling for a panel celebrating the show’s 20th anniversary at the ATX Festival in Austin, Texas.
Co-showrunners Joel Fields and Joe Weisberg even landed a critical writing nod, but that was it. Noah Emmerich, Margo Martindale, Holly Taylor, director Chris Long, and so many others went home empty-handed, as “The Americans” snagged just four nominations in 2018; that’s the same as it pulled in a year ago, when it missed out on Outstanding Drama Series, and one nod below its highest ever (five in 2016).
Many prognosticators were predicting more. In its final year, coming off rave reviews and a buzzy series finale, some thought “The Americans” could benefit from the final season bump (and years of snubs) to see a jump from four or five nominations to nine or 10. That didn’t happen, and worse still, it has the lowest number of nominations of the series up for Best Drama: “Game of Thrones” (22), “Westworld” (21), “The Handmaid’s Tale” (20), “The Crown” (13), “Stranger Things” (12), “This Is Us” (8), “The Americans”… (4).
But fear not, comrades. Best Drama Series may be out of reach — maybe — but there’s still hope for the most important Emmy race of 2018: Keri Russell vs. the world. Ever since “The Americans” earned its first major nominations, the show has pacing with another perennial-snubee-turned-winner: “Friday Night Lights.” So if that precedent holds up, Keri Russell is walking away with the gold… and the show would take home one more trophy, too.
With recognition in Drama Series, writing, and acting categories, “The Americans” hasn’t been ignored by the TV Academy. They may still feel obligated to reward the series after years of snubs, and Keri Russell seems like the choice — from outsiders and insiders — if only one person is going to walk away with a trophy.
The only chink in the armor is an issue that shouldn’t be an issue — likability; specifically, the character’s likability. Kyle Chandler played a beloved father, husband, and mentor, while Russell’s Elizabeth Jennings has seen a wave of backlash over the years because of a few cold-blooded choices. Even Russell has said in the past that Elizabeth could be a tough character to love, so some voters may prefer to cast votes for an unabashed feminist icon (such as Elisabeth Moss’ role in “The Handmaid’s Tale”).
Still, Moss already got her long-awaited Emmy last year. Now it’s time to give the other neglected, out-of-this-world-great actress her due. And if Russell wins, that ups the odds for “The Americans” in one more category, too: In “Friday Night Lights’” final year, not only did Kyle Chandler win, but so did series showrunner Jason Katims. So as long as voters follow along with the “Friday Night Lights” precedent, Joel Fields and Joe Weisberg should conquer Outstanding Writing in a Drama Series and join Russell in the winners’ circle.
Have hope, comrades. The war may be lost, but battles can be won.