Sam Jones talks to actress Keri Russell on the next episode of Off Camera. Airs Monday, June 25, 2018 at 9PM ET/PT on the Audience Network, Directv.
– Events Maisonette’s 1st Birthday Celebration – June 20 2018
– Magazine Scans Emmy – Issue No. 7, 2018
The final season of FX’s Cold War spy drama The Americans scored a total of four nominations for leads Matthew Rhys and Keri Russell, achievement in drama and program of the year.
Hosted by Robin Thede, the annual Television Critics Association Awards are set for Aug. 4.
One of the few people who has played multiple iconic TV characters reflects on child stardom as a Mouseketeer, becoming “America’s Sweetheart” at 21 on ‘Felicity’ and then, after almost quitting the biz, re-emerging as a Soviet spy for six seasons on one of the best shows of the Peak TV era.
“I have a feeling I’ll kind of go into my little world for a while and read my books and see my kids and take adventures,” says Keri Russell, as we sit down at the offices of The Hollywood Reporter to record an episode of THR’s ‘Awards Chatter’ podcast, and begin talking about what her life will be like now that The Americans, the massively acclaimed FX drama series on which she has starred since 2013, has come to an end. (Its series finale aired May 30.) Russell, who is 42, has been acting almost without interruption since she was just 15, starting out as a child performer on The Disney Channel’s The All-New Mickey Mouse Club, then morphing into a twentysomething fan-favorite on The WB’s Felicity before blossoming, as an adult, into one of the most respected actresses of her generation on The Americans. Her portrayal of Elizabeth Jennings, a Cold War-era Soviet spy posing, like her husband (played by her real-life partner Matthew Rhys), as an American, has been hailed by New York magazine as “one of the most complex performances ever on television,” and has brought her two Emmy nominations, four Critics’ Choice noms and a Golden Globe nom for best actress in a drama series. Later this month, she will almost certainly receive another Emmy nom, which could put her on the path to her first-ever win. “This was a good one — like, this was a really, really good one,” Russell says of the show, “so it’s tough to beat.”
Although “The Americans” was a slow-burn at the Emmys to begin with, managing a total of five nominations over its first three seasons (including a guest acting win for Margo Martindale in 2015), it finally broke through in a big way 2016 with five bids, including for Best Drama Series, Best Drama Actor (Matthew Rhys), Best Drama Actress (Keri Russell) and a second consecutive win for Martindale. Last year, although it missed the cut in Best Drama Series, it racked up four big nominations, including for both leads, writing and Alison Wright taking Martindale’s place in Best Drama Guest Actress.
According to our combined odds, “The Americans” is currently sitting in seventh place with 10/1 odds in Best Drama Series, which bodes well for it to return to the drama lineup. It helps that two series nominated last year are out of contention (“House of Cards” and “Better Call Saul”). But also in the show’s favor is that the Emmys can be sentimental when it comes to swansong seasons of drama series already on its radar.
This year look for leads Rhys and Russell to return for a final shot for their work on the show. A potential spoiler in the wide open Best Drama Supporting race could be the overdue Noah Emmerich, who shines in the series finale as the ultimately defeated Agent Stan Beeman. Three-time Emmy winner Martindale is submitted in the Best Drama Supporting Actress category again this year, after being nominated four consecutive times (and winning in 2015 and 2016). She didn’t make the cut last year in the more competitive supporting field, but is a very good chance to return to the Emmys after having much more to do this final season. Also a possibility is fellow supporting player Holly Taylor, fantastic in the series finale as daughter Paige, who’s torn between her secret agent parents and her desire to stay in America with her younger brother, played by Keidrich Sellati.
Elsewhere on the ballot, a fourth consecutive writing bid for show co-creators Joel Fields and Joe Weisberg series finale “SMART” is almost guaranteed, as “The Americans” has been nominated in Best Drama Writing for the last three years. A possible first win in that category is also a real possibility. The show might also break into the directing category for the first time, with two submissions in contention; Chris Long‘s helming of the series finale and “The Great Patriotic War,” the fifth episode of the show’s final season (directed by Emmy vet Thomas Schlamme).
Two decades after “Felicity” premiered the cast and producer-director Lawrence Trilling reunited at the ATX Television Festival and addressed its controversial double ending.
“The network canceled us — kind of. And then they were like, ‘Just kidding,’ do a few more,’” titular star Keri Russell said in Austin, Tex. Sunday.
She added that series co-creators and executive producers J.J. Abrams and Matt Reeves had agreed with the cast that Felicity had to graduate by the end of the show, so they planned for that moment to come in the 17th episode of the fourth season “regardless if they [were] going to give us [more].”
Then, when the WB did come back with an order for five more episodes that would ultimately wrap up the series permanently, the show was tasked with the question of what life-post graduation would look like for a character whose journey started by following her high school crush across the country to attend the same school as him.
Ahead of September’s 20-year premiere anniversary, the cast of former WB Network drama Felicity closed out the seventh “season” of the ATX Television Festival in Austin, Texas.
Stars including Keri Russell (Felicity), Scott Speedman (Ben), Scott Foley (Noel), Tangi Miller (Elena), Amanda Foreman (Meghan), Ian Gomez (Javier), Greg Grunberg (Sean), Rob Benedict (Richard) and Amy Jo Johnson (Julie) as well as director Lawrence Trilling looked back on the J.J. Abrams- and Matt Reeves-created cult favorite about a girl who follows a guy to New York and discovers who she is along the way.
Here are the highlights from the sold-out 20-year reunion, held at the Paramount Theater, moderated by self-professed Felicity super-fan Lennon Parham (Playing House). Foley opened the panel by noting that much of the cast hasn’t seen one another in about 20 years, which made Sunday’s reunion extra special.
1. Felicity was the first big gig for much of the cast. Russell recalled her audition process and sitting in a hall with 55 other girls. “I had choked in the audition,” Russell said. Abrams and Reeves pulled her to another room and made her laugh and that helped her get back on track.
2. Foley was originally cast to play Ben. “What a shitty show that would have been!” Foley said. “For a week I was doing wardrobe fittings [for Ben] … they were having a hard time casting Noel and they liked [Speedman] better as Ben and J.J. didn’t want to fire me.” He was then asked to play Noel instead. “Nobody could have played Ben Covington better than Scott Speedman,” he added.
3. Parham asked the differences between Ben and Speedman, who admitted that he and his character were very similar. “At that time? Not a lot,” he said. “And I feel like on television they do try to write a lot toward you. I was a tortured, brooding 22-year-old at that time and it really worked out on the show.”
4. Trilling recalled the cast’s willingness to be vulnerable and credited that for much of the show’s success. “These guys were very trusting with Matt, J.J. and me and they gave their hearts and souls to the show, and that’s why we’re here 20 years later.”
5. There are a few lingering questions left surrounding the show, but none more pressing that what, exactly, was in the box belonging to Felicity’s mysterious roommate, Meghan. The truth? “I don’t know,” said Foreman. “Neither does J.J. If you ask J.J. he’s like ‘I don’t know.'” She does have a theory: “I thought maybe it was a confession to a murder or something. … It has to be dramatic and small enough to fit in the box. Or it could be a finger.” Cracked Trilling, “It was a key to the hatch in Lost.”
Continue reading Inside the Felicity 20-Year Reunion at ATX Festival
FX last night telecast the series finale of its much-lauded thriller The Americans, ending the story of Philip and Elizabeth Jennings, two KGB spies posing as Americans in suburban 1980’s Washington, D.C., that began six years ago. No one was more surprised by the events of the ending than Keri Russell, who had no idea throughout the run of series how the couple’s story might conclude. “One thing I’ve always loved about the series is [being] continually surprised, in a good way; always being surprised by the turns and twists as they never bored by me,” she revealed during a post-mortem conference call for the series. “I had no idea what was in store. The way the season was going, by the third or fourth episode I thought they were setting [my character] up to die. She was so unlikable and could never redeem herself — but I was on board for whatever they wanted. I’d kind of grown accustomed to trusting them and not guessing because I’ve always been so far off. I didn’t know how it was going to go at all. [Warning: The rest of this column contains spoilers about the series finale.]
“All of [the final] script surprised me,” she continued. “I had no idea they’d take such an emotional route of devastation [with their] kids. I did not see the Henry (Keidrich Sellati) aspect coming at all and that was just devastating to me.” The writers’ decision to have the couple lose custody of their children indeed blindsided the actress. Continue reading Keri Russell On the “Surprising” End of FX’s “The Americans”
When we first meet Elizabeth Jennings — the highly trained Russian spy hiding under the cover of a perfect American family with her husband, Philip (Matthew Rhys) — she is unlike herself. At a loud bar, over a cocktail, she works a government agent several notches below her cunning and spiky beauty. She wears a leather bustier and a flirty, salacious demeanor, her chestnut tresses hidden under a full platinum blonde bob. This first scene has the sort of slinky sexiness and allure I’ve come to expect of an espionage drama. As The Americans continued, soon to finish with its currently airing sixth season, it has leaned as far away as possible from the glossy pleasures you’d expect from its first scene into something wholly harder to shake. As Emily Nussbaum wrote in The New Yorker, “Dread is its specialty and also its curse; it’s what makes The Americans at once a must-watch and a hard sell.” Continue reading The Delicate Fury of Keri Russell on The Americans