Category The Americans

We’re bowling with the Morozov family, and Alexei is griping about Russia again.

Philip and Elizabeth are barely holding their tongues. “Again with this,” Elizabeth whispers.

“The systems destroys anyone who tries to make change,” Alexei says, and his wife decides she isn’t holding back anymore. “You’re the one who destroys,” she snarls at him in Russian.

“They would have shot me,” he tells her.

“You should have told us that before dragging us to this miserable place like your luggage.”

After the fight, Alexei tries to explain his hardline attitude to Russia to his two nice American friends. “We had different time growing up. When I was 14, they dragged my father out of apartment. No explaining.” He tells them of traveling for days to go visit him, only to be told: no visitors.

“He died 15 years later,” Alexei says. “That is the Soviet Union I know.”
Continue reading ‘The Americans’ recap: ‘The Midges’

Some of the bigger moments of this installment of The Americans were played off as no big thing. But we know better, right, comrade?

Chief among them, the revelation of Stan’s new mystery woman, a friend from the gym who has become very important to him in an extremely short period of time. Not much happens except an introduction, but she’s played by The Walking Dead’s Laurie Holden, which is the main reason we know she will be looming large in this season’s narrative.

The episode begins with Philip and Elizabeth at a loss for words as they hand over a slice of their fallen bio-weapons spy William and break the bad news to Gabriel that their protégé Hans became infected by the virus.

Rather than let him drag on, Elizabeth put a bullet in his brain.

“Everything all right?” Gabriel asks, noting their somber expressions.

Philip can barely get the words out. Continue reading ‘The Americans’ recap: ‘Pests’

As the fifth season of The Americans gets underway, EW pulls back the (iron) curtain on the FX series’ writers’ room. To read the complete roundtable on The Americans, along with clues to season 5 and a list of pop culture essentials covering U.S.-Russian relations, pick up the new issue of Entertainment Weekly on stands Friday, or buy it here now and subscribe for more exclusive interviews and photos, only on EW.

Between American politicians lying about their contacts with Russian envoys, overseas enemies tampering with the U.S. presidential election, and disturbing rumors about “golden showers,” it’s as if the entire country has time-traveled back to the early 1980s. While the Trump administration’s relationship to the Kremlin may not exactly resemble Reagan’s, recent headlines undeniably echo the frosty past.

But for FX’s The Americans, this déjà vu is uncharted territory. Airing its 1984-set fifth season amid real-life stories about Russia’s hand in U.S. politics, the critically acclaimed drama about married Soviet spies living in suburban America has found itself no longer just a thoughtful examination of a bygone era but also a bizarre reflection of the world today.

In February, EW stepped inside the series’ writers’ offices in Brooklyn, New York, where vibrant key art from past seasons, Cold War propaganda posters used on the show, and several (sadly erased) whiteboards cover the walls. Showrunners Joe Weisberg and Joel Fields gathered their writers’ room comrades Peter Ackerman, Joshua Brand, Stephen Schiff, and Tracey Scott Wilson for a roundtable interview to delve deep into how they’ve tackled the series’ sudden relevance — and why The Americans‘ themes have always resonated. Continue reading The Americans writers’ room debates Russia’s new relevancy: ‘It’s an unwelcome surprise’