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Some of the bigger moments of this installment of The Americans were played off as no big thing. But we know better, right, comrade?

Chief among them, the revelation of Stan’s new mystery woman, a friend from the gym who has become very important to him in an extremely short period of time. Not much happens except an introduction, but she’s played by The Walking Dead’s Laurie Holden, which is the main reason we know she will be looming large in this season’s narrative.

The episode begins with Philip and Elizabeth at a loss for words as they hand over a slice of their fallen bio-weapons spy William and break the bad news to Gabriel that their protégé Hans became infected by the virus.

Rather than let him drag on, Elizabeth put a bullet in his brain.

“Everything all right?” Gabriel asks, noting their somber expressions.

Philip can barely get the words out. Continue reading ‘The Americans’ recap: ‘Pests’

As the fifth season of The Americans gets underway, EW pulls back the (iron) curtain on the FX series’ writers’ room. To read the complete roundtable on The Americans, along with clues to season 5 and a list of pop culture essentials covering U.S.-Russian relations, pick up the new issue of Entertainment Weekly on stands Friday, or buy it here now and subscribe for more exclusive interviews and photos, only on EW.

Between American politicians lying about their contacts with Russian envoys, overseas enemies tampering with the U.S. presidential election, and disturbing rumors about “golden showers,” it’s as if the entire country has time-traveled back to the early 1980s. While the Trump administration’s relationship to the Kremlin may not exactly resemble Reagan’s, recent headlines undeniably echo the frosty past.

But for FX’s The Americans, this déjà vu is uncharted territory. Airing its 1984-set fifth season amid real-life stories about Russia’s hand in U.S. politics, the critically acclaimed drama about married Soviet spies living in suburban America has found itself no longer just a thoughtful examination of a bygone era but also a bizarre reflection of the world today.

In February, EW stepped inside the series’ writers’ offices in Brooklyn, New York, where vibrant key art from past seasons, Cold War propaganda posters used on the show, and several (sadly erased) whiteboards cover the walls. Showrunners Joe Weisberg and Joel Fields gathered their writers’ room comrades Peter Ackerman, Joshua Brand, Stephen Schiff, and Tracey Scott Wilson for a roundtable interview to delve deep into how they’ve tackled the series’ sudden relevance — and why The Americans‘ themes have always resonated. Continue reading The Americans writers’ room debates Russia’s new relevancy: ‘It’s an unwelcome surprise’

The Americans begins its fifth season with a pair of new faces: Pasha, a Soviet boy who resents his new life in the United States, and Tuan, a Vietnamese adoptee who is eager to help his new classmate adjust.

They’re both newcomers. Tuan and his family just moved from Michigan, while Pasha and his family have defected from Moscow. He is struggling, not the least of which with the language.

“Okay, understand,” Pasha says. “Speak, not so good.”

The boys take a trip to Tuan’s house, where they meet his parents – an airline pilot and a flight attendant, Mr. and Mrs. Eckert. Finally, we see someone we recognize – Philip and Elizabeth.

At the end of last season, they faced the possibility of giving up their lives as the Jennings family and fleeing back to Russia, since they were unsure if their identities had been compromised by the capture of the bio-weapons operative William.

Now, we see that they have doubled down on the American dream. They have a new mission – and a new family. Pasha doesn’t have much to say to them. That’s okay. He will. Continue reading ‘The Americans’ premiere recap: ‘Amber Waves’

Starting tonight, “The Americans” joins the short list of shows that have had the luxury of plotting out their series finale storylines over multiple seasons.

The FX drama, which received a two-season pickup last year, opens its fifth year with intrepid Soviet spies Philip and Elizabeth Jennings juggling yet another set of identities — this time with a set up that is elaborate even by their standards.

The planning of the season’s plot engines was made easier by the fact that showrunners Joe Weisberg and Joel Fields now have the season-six finish line in sight. The momentum the show built up in season four — with its first Emmy nom for drama series and Writers Guild Award win for drama series — didn’t hurt, either.
Continue reading ‘The Americans’: Stars, Producers Talk Beginning of the End With Season 5