Category Articles & Interviews

“The Americans,” a new espionage series set to begin on Wednesday on FX, stars Keri Russell and Matthew Rhys as Soviet sleeper agents posing as an average married couple in the Washington suburbs in the early 1980s. (You can read more about the series here.) The show, a spy thriller/domestic drama, requires the actors to balance violent fight scenes and other action set pieces with the more delicate work of portraying a coldly professional relationship that is evolving into something more.

“It’s a real acting challenge,” Mr. Rhys said. “You have these extreme moments hand in hand with the relationship they have that grounds it, or makes it a little more human.”

Ms. Russell and Mr. Rhys didn’t really know each other before filming started. But spend any time on the show’s set in Brooklyn’s Gowanus neighborhood and multiple people will remark, unprovoked, on the chemistry between them, something that became apparent during an interview with both actors in Ms. Russell’s chilly trailer (the heat wasn’t working). Mr. Rhys wore a thick black winter coat, earning mocking scorn from Ms. Russell: “Do you want me to get you some earmuffs?” Continue reading The Spy Who Married Me: Keri Russell and Matthew Rhys on ‘The Americans’

Sony Pictures Classics will release the film in the summer, and they will rely heavily on producer (and Twilight Saga author) Stephenie Meyer, Jerusha Hess and Shannon Hale, along with star Keri Russell to promote it and make this a chick flick extravaganza.

Source: http://www.deadline.com/

Austenland, the Sundance Film Festival entry starring Keri Russell as an obsessive Jane Austen fan who spends her life savings to visit a “fantasy camp” in England that recreates the period’s gender and social mores, was acquired by Sony Pictures. Jennifer Coolidge, Jane Seymour, JJ Feild, and Bret McKenzie also star.

“We loved making this movie and were fortunate enough to screen it at Sundance,” said producer Stephenie Meyer (Twilight) and director Jerusha Hess in a joint statement. “The fact that Sony Pictures Worldwide Acquisitions and Sony Pictures Classics has chosen to distribute Austenland is beyond our wildest dreams — they treat their films with the utmost care, and we are thrilled to be associated with such a prestigious distributor.”

Based on the novel by Shannon Hale, Austenland is the first film from Hess, who co-wrote her husband’s Sundance smash, Napoleon Dynamite. “Basically, a bunch of Mormon ladies sat around and made a movie together,” said Meyer on Friday night after the film premiered at Eccles Theater in Park City, Utah.

Source: http://insidemovies.ew.com/

This sendup of British costume dramas visiting a Regency-era theme park, which premiered at the Sundance Film Festival, is a pleasant romp that works, writes Marlow Stern.

With the runaway success of the British TV drama Downton Abbey, audiences have developed a ravenous appetite for stately period costume dramas.

Jerusha Hess’s Austenland,making its premiere at the 2013 Sundance Film Festival, isn’t that kind of movie—rather, it’s a randy send-up of period fare and its overly devoted acolytes.

Jane (The Americans’ Keri Russell) is a 31-year-old woman stuck in a thankless job who just can’t seem to find the right guy. The reason why, however, is because she is dangerously obsessed with all things Jane Austen—from her pink, Regency-era bedroom right down to a creepy, life-sized, cardboard stand-up of Colin Firth’s Mr. Darcy situated by her apartment door.

In order to satisfy her Jane Austin itch—and potentially find her own Mr. Darcy—Jane spends her life savings on an all-expenses-paid journey to Austenland, an adult theme park where, for a very hefty sum, female Austen fanatics live out their wildest fantasies in a 19th century British manor filled with dashing, chivalrous, dapper young men. Joining Jane on her quest is Elizabeth (Jennifer Coolidge), a busty, airheaded woman who she meets at Heathrow that’s in it because, well, she wants to get laid in a corset. The entire Austenland operation, meanwhile, is lorded over by the rigid Mrs. Wattlesbrook (Jane Seymour), who treats Jane like a second-class citizen since she only shelled out for “the bronze package.”

Despite an immediate attraction to Mr. Henry Nobley (JJ Feild), a mysteriously guarded fellow in the Darcy mold, Jane soon falls for Martin (Flight of the Conchords’ Bret McKenzie), an endearing goofball who, when he’s not belting out female power ballads in his shack, serves as Austenland’s stable boy and all-around Boy Friday.

Jerusha Hess, longtime screenwriter for her brother, Jared Hess, directs Austenland. The two have collaborated on the screenplays for all of Jared’s films, from Napoleon Dynamite on. Unlike Jared’s very deadpan oeuvre, this is a broad, commercial comedy bursting at the seams with fish-out-of-water jokes—mostly courtesy of the hilarious Coolidge. With her sizable bosoms about to explode out of her corset, Coolidge’s crude, rude, and lascivious behavior would seem outré in 2013, let alone the Regency era and, whether she’s sewing her glove into her patchwork or sexually harassing her prey — who just so happens to be the gayest gentleman in the house — Coolidge steals every scene she’s in.

But the film is still anchored beautifully by Russell who, as she exhibited in Waitress, and for years on Felicity, is an actor that inspires such a tremendous degree of goodwill, you can’t help but root for her. Yes, Hess’ film has its faults. Plenty of the jokes don’t land and the middle of the film, as Jane is torn between Martin and Nobley, drags a bit. But I reckon there will be plenty of women, and a few men, too, who will have a gay ol’ time in Austenland.

Source: http://www.thedailybeast.com/

Men have fantasy-baseball getaways and rock-star camp. For women? There’s a Jane Austen vacation.

At least so it goes in the fictional Austenland, Jerusha Hess’ romantic comedy of the same name about a place where fans of the author can take a holiday in an English manor. There they live out a “Fantasy Island”-style getaway filled with bodices, high tea and men as fine-looking as Mr. Darcy.

Based on Shannon Hale’s novel, the film’s main character is Jane Hayes, a down-in-the-dumps thirtysomething (Keri Russell) who memorized the first three chapters of “Pride and Prejudice” at age 13 and isn’t always sure where the playacting stops and true romance begins.

“I want something real,” Hayes says at one point. She seems to find it when she strikes up a connection with Martin (Bret MacKenzie), a man who works at Austenland but is not part of the re-enactments.

Much of the action centers on the camp and its list of colorful characters, both tourists and the actor employees who populate the resort. Jennifer Coolidge co-stars as the brassy Miss Elizabeth Charming, another Austenland visitor who has never read any Austen but loves the get-ups. And Jane Seymour plays the opportunistic woman who runs the resort, in a movie that both plays off and with the trappings of Austen-mania.

Hess is a co-writer of Sundance phenomeon “Napoleon Dynamite,” which husband Jared co-wrote and directed, and that film’s playfulness is much on display here. (Among the campy touches are musical montages featuring swoony throwback pop ditties like Belinda Carlisle’s “Heaven is a Place on Earth” and Roxette’s “Must Have Been Love,” which add to the film’s romantic whimsy.)

“My husband, Jared, doesn’t make romcoms so he couldn’t help me with the kisses,” Hess quipped after the screening. Continue reading Sundance 2013: Can Stephenie Meyer get Twihards to ‘Austenland’?

Overexposed material is fresh and fun in Austenland, an unlikely take on Jane Austen lore that sends Keri Russell to a sort of Regency Westworld, acting out romantic fantasies with fellow vacationing Brit-lit addicts. Funny, reasonably romantic and wholly commercial, Jerusha Hess’s debut should hold fans over until someone musters the nerve to do another straight-on remake of Pride and Prejudice.

Russell plays Jane Hayes, a socially awkward Austenmaniac whose sad little spinster pad is stuffed with teapots and tokens of love for Mr. Darcy. She sells her car to travel to Austenland, an English theme resort whose stuffy doyenne (Jane Seymour) promises every visitor a Persuasion-worthy romance with an actor on staff.

Some of those actors play their parts more convincingly than others — which is only fair, since some guests fall far short of PhD-level fandom: A wealthy American (Jennifer Coolidge) has never even read the books; she’s just here because she thinks she’d look great in “those wench dresses.” Producers get their money’s worth from Coolidge, who for the first half hour can’t open her mouth without bringing down the house. When she bellows “right-o” in a desperate attempt at an English accent, the final vowel becomes multiple syllables, something the word “diphthong” hardly begins to describe. (Not that the actress has to speak to steal a scene, as evinced in a hilarious needlepoint gag.) Continue reading Austenland: Sundance Review

As a movie pitch “Austenland” seems like a no-brainer. A devoted and sadly single Jane Austen fan (appropriately named Jane and played by Keri Russell) decides to spend her life savings to visit Austenland, an immersive vacation resort which promise her a personal Mr. Darcy experience. Of course, nothing goes as planned, but our heroine still finds love where she wouldn’t have expected it. Throw in some quirky British characters trying to pull off the 19th Century in the 21st Century and you have numerous comedic opportunities. Based on the novel by Shannon Hale and co-produced by Stephenie Meyer, Jerusha Hess’ “Austenland” should quickly evoke a bidding war that will make the numerous studios regret passing on the first time around.

The proceedings start off slowly with Jane finding resistance from her best friend who believes she’s making a huge mistake and, instead, should spend her money on a “life changer” vacation. Jane heads off to England anyway and soon meets a fellow guest, the goofy and a little out there Miss Elizabeth Charming (Jennifer Coolidge). Upon arriving at Austenland, Jane is sad to discover she’s only paid for the copper package which means she’ll be living in servant quarters (don’t worry, it looks better than you think) and has a much less glamorous wardrobe. Hess focuses a bit on Coolidge at first to generate the laughs, but as soon as we meet the residents or hired actors at the Manor things get much more interesting and comical. Continue reading Review: Keri Russell and Jennifer Coolidge charm in potential breakout hit ‘Austenland’

Six years ago Keri Russell came to Sundance with a small undistributed movie about a pie-baking hobbyist working in a small-town diner. The dramedy, “Waitress,” went on to become one of the crowd-pleasers of the festival and garnered more than $19 million upon its theatrical release.

Russell is back in Park City this year with another film of light whimsy. Working with first-time director Jerusha Hess, half of the writing team behind “Napoleon Dynamite” (and one of the many female filmmakers making their name in the Utah mountains this year), Russell is starring in “Austenland,” a romantic comedy in modern-day England based on Shannon Hale’s novel.

Premiering on Friday afternoon in Park City, where it is seeking a distribution deal, the movie looks at Jane Austen enthusiasts who take a country holiday to enact their Victorian-novel fantasies.

“The idea is kind of hilarious: There are these lonely ladies who pay all this money to go and live like that, and the end is a big dance where all the women are paired up with Mr. Darcy,” Russell, who’s set to take a short break from shooting her Cold War-era cable series “The Americans” to appear at the premiere screening, said in an interview with The Times. “It’s delicious and a little lewd-y,” she laughed.

The film has an unexpected, un-Sundance-like selling point: It’s produced by “Twilight” author Stephenie Meyer, the first movie she’s produced that isn’t based on one of her novels.

But it wasn’t vampires that vexed those working on the film. Russell had a more real-life difficulty: She was pregnant with her second child when she was shooting “Austenland.”

“It was interesting to frolic in the English countryside while pregnant but trying not to be,” she said. “The waists kept getting higher on my outfits. But it’s a movie with a lot of corsets and Victorian fashions so it all kind of worked out.”

Source: http://www.latimes.com/

Craft services appears to have closed for business, but Keri Russell would very much like something to nibble on if it wouldn’t be an imposition on the people packing away the last of the chips, cookies and crackers. This is not a diva trip—if anything, the petite actress somehow appears to make herself physically smaller as she asks to forage around in the snack bin.

The sun is setting on the second day of the new year, and Russell has just spent the better part of the last three hours filming a pivotal scene for the new FX series, The Americans (Jan. 30, 10 p.m.). It’s a long, rather tricky passage—there’s a good deal of futzing with an old reel-to-reel tape recorder, and some of the lines seem a bit more knotty than they absolutely need be—and so Russell and her co-star, Matthew Rhys, had run into a few rough patches earlier in the afternoon.

Having secured a small bag of pretzels (“I promise not to munch too loudly into your tape recorder”), Russell’s discernible self-possession is offset by a disarming tendency to punctuate her sentences with one of the few words you still can’t say on basic cable. Joking about how long it took to nail the scene, she refuses to make any excuses for the delay.

“If I would have known my lines, I would have talked to you sooner. But I did not, as you saw!” she laughs. “Oh, for fuck’s sake, that scene! Good riddance, that scene! Never again!” Continue reading Sleeper Agent With new spy drama The Americans, FX again shows it’s unafraid to take risks to make quality TV

Stars Keri Russell, Matthew Rhys and the spy drama’s EPs tell reporters enough time has passed to sympathize with Soviets — but are quick to point out that an al-Qaeda version would be “impossible.”

Briefly sidelined by Sandy, FX’s The Americans started production in New York in December and gets a speedy launch on the network later this month.

The thriller, which stars Keri Russell and Matthew Rhys as embedded Soviet spies in 1981 Washington, DC, made an appearance during Wednesday’s Television Critics Association winter press tour — and producers were quick to emphasize who viewers should be rooting for.

“It might be a little different to believe and get used to, but we want you to root for the KGB,” said EP Joel Fields. “They’re going to try to get the Soviets to win the Cold War.”

History knows they’re fighting a losing battle, but the creative team behind the high-profile launch expressed a confidence that more than enough time has passed for American audiences to not hold a grudge.

“If you tried to tell a story like this about al-Qaeda now, it would be impossible; no one would want to hear it,” Fields continued. “I feel even the same could have been said up to 10 years after the cold war ended.”

But this isn’t Homeland. Though the Showtime hit went oddly unmentioned during the discussion, the similar theme of covert ops takes a backseat to the odd, forced family dynamic of two Russian spies raising their in-the-dark children as Americans.

“The show is about marriage and that marriage in an allegory for international relations,” said creator Joe Weisberg. “And international relations are an allegory for marriage.”

Speaking of the show’s tricky time period aesthetics, producers made more than a few jokes about Russell’s high-waisted jeans and defended their musical choices — particularly one steamy scene that used Phil Collins’ “In the Air Tonight.”

Though the track is synonymous with a similar moment in Risky Business, they called it “perfect for that time.”

Less superficial matters of the time will also play a big part of the show. Fields pointed out that the attempted assassination on President Ronald Reagan will come early in the series and will be a “big event” in the lives of the characters.

As a closing pitch to root for the bad guy protagonists, Weisberg said he wanted viewers to take a hard look at both sides of the Cold War.

“These were these really competing value systems,” he said. “And there’s no question that repressive socialism failed, but unbridled consumption hasn’t exactly led to great satisfaction — and one problem is how do we express that dramatically.”

Source: http://www.hollywoodreporter.com/