Adam Driver strides into a Brooklyn warehouse wearing black boots, jeans, and a zip-up sweatshirt. Toweringly tall—he’s the rare movie star who appears taller in person—he extends his hand and applies a firm squeeze. He carries himself with confidence, but also a certain caution. (At the briefest mention of Star Wars, he recoils almost reflexively, insisting he can reveal nothing about the plot of the upcoming movie, his third in the franchise.) It’s a stance befitting an actor who has become one of the biggest stars in the world within a few short years, catapulted by his formidable charisma and ambition.
Driver’s magnetic intensity is the primary calling card for one of the most anticipated productions of the spring Broadway season, the Hudson Theater’s revival of Lanford Wilson’s drama Burn This, in which he will perform the part of Pale, the tempestuous restaurant manager at the center of the play. This is a coming home of sorts, not just because Driver first gained some acclaim in the New York theater world, but also because this 1987 work represents important unfinished business for the 35-year-old. During his final year at Juilliard, Driver first played Pale—appearing opposite his then girlfriend, the actress Joanne Tucker, now his wife—in what was the Juilliard equivalent of a senior thesis. It was unusual for a student to take on such a difficult and challenging role, but Driver had so impressed the school’s drama director that an exception was made.
And yet, when Driver is asked about that performance, he shakes his head bashfully. “I am embarrassed at all the things I didn’t understand,” he says. He is referring to the actions of his character, tasks as mundane as making a pot of tea: “I didn’t drink tea growing up in Indiana.” But the work involves nuance that would be hard for any actor in his early 20s to fully absorb, and he’s aware of that too. “You live life a little, and there’s just dynamics you don’t understand until you have a bit more experience.”
Those dynamics unfold in the unlikely romance between Pale and a sensitive modern dancer named Anna, played in this production by Keri Russell. The two are brought together when Pale’s brother, Robbie, a gay dancer who is closeted to his family and close to Anna, dies in a boating accident. Pale barges into Anna’s loft following the funeral, upending her passionless relationship with a screenwriter. Continue reading In Burn This, Adam Driver and Keri Russell Find Love in a Hopeless Place