– Screen Captures 6×09 – Jennings, Elizabeth
– Screen Captures 6×09 – Jennings, Elizabeth
With one episode left to go in the series, we know one thing for sure about The Americans. As Soviet agent Elizabeth Jennings, Keri Russell is giving a performance for the ages.
This final season has been one long endurance test for the character and the actress, an endless stream of spy ops, wigs swapped, assets fatally shot or fatally seduced. Elizabeth hasn’t lost her knack for shapeshifting. Her interaction with Senate intern Jackson (Austin Abrams) was a master class in personality espionage, steadily undressing the poor boy via Manic Pixie Cinephilia (ah, yes, Rififi!) and the dangling promise of a glamorous new life in the private sector. It’s almost Westworldly, the way she digs herself into narratives for these lonely souls, working overtime as Host and Programmer and gun-toting QA.
But her exhaustion is palpable. She’s a soldier near the end of a very long war, juggling battles on many fronts. Some of the best moments on TV recently have been Elizabeth quietly smoking cigarettes. She can look tough, tired, confident, confused, desperate, savvy, murderous, kind, sometimes all at once.
Wednesday’s penultimate episode is titled “Jennings, Elizabeth,” and it’s both a showcase for Russell’s ice-and-fire energy and a pivotal turning point for Elizabeth.
(WARNING: Spoilers ahead. Read at your own risk!)
Continue reading Do you believe Elizabeth’s big decision on The Americans?
– Episode Stills 6×09 – Jennings, Elizabeth
I’m anxious about The Americans. It’s impossible not to be. There are only two episodes of this slow-burning 1980s-set espionage drama left, and it’s possible that a finale has never mattered more. That’s because for all of its critical accolades, The Americans, in its sixth season, remains niche entertainment. Why? It has a prickly, sometimes glacial pace, a drab normcore palette (brown on brown on brown), and the complex cloak-and-dagger plotting serves mostly to map the emotional trip wires of marriage and family. Don’t get me wrong: This is a remarkable drama with landmark performances from Keri Russell and Matthew Rhys. The way showrunners Joseph Weisberg and Joel Fields have deepened the stakes around Elizabeth and Philip Jennings, deep-cover Soviet agents in suburban Washington, D.C., season after season, has made loyalists of many of us. But is The Americans great? Seventy-three episodes in, I’m not sure—and can’t shake the feeling that the show still has something to prove.
This is not the way high-profile finales typically work. The last episodes of Breaking Bad had us by the throat because that show had long ago become blue-chip entertainment. Ditto Friday Night Lights. Ditto The Sopranos. Ditto Mad Men—which never put up impressive ratings but achieved consensus status nonetheless.
The Americans is in a similar boat: unimpressive ratings but consensus status. Or almost. If it’s not all the way there, that’s because the show has never rewarded enthusiasm. Many of the episodes—particularly these past two seasons—have taken perverse pleasure in withholding, in silence and misdirection. The Americans can be subtle to the point of stasis, and it can be shockingly violent.
No more so than in these past weeks. I have watched with something close to horror as Russell’s Elizabeth has become an automaton, a mix of humanity and sociopathic menace. Her killing spree this season is astonishing—as is her two-seasons-long cultivation of her daughter, Paige, as a Soviet spy. She’s guaranteeing Paige a life of violence and tragedy—and yet she remains an incandescent heroine: steely, hyper-confident, glamorous.
Meanwhile, Philip is a black hole of ambivalence. The tragedy of watching him try to extract himself from his Soviet minders, connect with his oblivious son, and try to find his moral core is the most affecting part of the show. Rhys has an incredible variety of hangdog expressions. He’s an encyclopedia of misery and stymied hope.
What happens to these two matters. I’m sure I’m not alone in feeling both a need for them to be okay and a need for them to pay for what they’ve done. There’s a reason an Americans death pool is circulating on the Internet. I don’t see how both of them can survive, or escape justice (and Elizabeth is wearing that cyanide pill around her neck). Certainly, the Jennings as a family cannot remain remotely intact.
So we need a tragic ending. It’s what the show has been building to. But will The Americans deliver one? Will it actually punish the characters we’ve come to love? If it pulls its punches and manufactures some quasi-happy resolution for Elizabeth and Philip on May 30—a retirement dacha in the Urals, perhaps—I fear the show will be forgotten, discarded, a curiosity that had its moments but never amounted to anything. But if something awful happens, if the sky-high stakes pay off, this show will be legend.
“You lied to me for months because of Gorbachev?”
Any argument that contains this sentence is not one that’s going to be resolved easily. With only two more episodes after this before The Americans complete their mission once and for all, Philip has decided to come clean to Elizabeth. He confesses that he has been leaking information about her activities to Oleg Burov — some guy from back home who says The Center is trying to undermine the U.S.S.R. leadership.
She absorbs this with a lot of heavy silence.
“What did you tell him?”
“I told him you’re the most dedicated, loyal person ever to serve the organization. I told him about the sensor. I told him you were looking into one of our negotiators that you thought was a traitor.”
– Screen Captures 6×08 – The Summit
After weeks of tension, it’s now even more grueling that Philip and Elizabeth are back on the same side. “Harvest” may be one of the most tense episodes of the entire series, and with only a handful left, it sets the stage for a truly dark finale.
Philip has pledged to join Elizabeth and her accomplice Marilyn in Chicago, where they are seeking to extricate a fellow undercover Russian who has been detected and is under constant surveillance by the FBI under their operation codename “Harvest.”
But the job is overwhelming, and they can’t do it with just the two of them. They don’t think they’ll save their target. They’re not even sure they’ll survive themselves.
So Philip volunteers to rejoin the cause and help. The episode begins with him asking Stan to look after Henry until the boy returns to school when Thanksgiving Break ends.
Continue reading The Americans recap: A rescue mission ends in a bloody mess
– Screen Captures 6×07 – Harvest