Filed in Articles & Interviews The Americans

‘The Americans’: Stars, Producers Talk Beginning of the End With Season 5

Starting tonight, “The Americans” joins the short list of shows that have had the luxury of plotting out their series finale storylines over multiple seasons.

The FX drama, which received a two-season pickup last year, opens its fifth year with intrepid Soviet spies Philip and Elizabeth Jennings juggling yet another set of identities — this time with a set up that is elaborate even by their standards.

The planning of the season’s plot engines was made easier by the fact that showrunners Joe Weisberg and Joel Fields now have the season-six finish line in sight. The momentum the show built up in season four — with its first Emmy nom for drama series and Writers Guild Award win for drama series — didn’t hurt, either.
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‘The Americans’ Season 5: TV Review

The best drama on television continues to ratchet up the tension while pushing purposefully toward the end (and no spoilers here).
One of the great difficulties writing about long-running series with complicated and hard-earned twists and turns is that you can’t go anywhere near them. Nobody likes a spoiler — and far too many people these days think even the smallest detail revealed is a spoiler. The longer a series is on the air — especially one, like FX’s The Americans, that is arguably the best drama on television — the harder it is for a critic to say anything new of substance about it.

And yet, there’s an obligation to write about the best drama on television, because, well, people will want to read it.

You see where we are here.

There won’t be anything that’s an actual spoiler revealed in this review. That would normally only leave the door open to something along the lines of, “Wow, the start of the fifth season is really great — nothing I can tell you about, but, wow, some amazing things happen.” Continue reading ‘The Americans’ Season 5: TV Review

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Matthew Rhys and Keri Russell on “The Americans” (Video)

Last year Matthew Rhys and Keri Russell earned Golden Globe nominations as the titular Soviet spies in deep suburban cover in Reagan-era America. The series created by former CIA officer Joe Weisberg has earned wide critical praise as one of the best in TV and its fifth season coincides with renewed interest in the real-life relationship between Russia and the US. Call it serendipity; fact is that the blend of mundane family life and credible international geopolitical skullduggery reverberates more than ever on multiple levels today. Here’s what Russell and Rhys (also a real-life couple and now proud parents of a son) recently told us about the evolution of their characters during the arch of the series.

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The Americans Is Better Than Ever as the End Nears

One of best moments on The Americans last season came in the opening minutes of “The Magic of David Copperfield V: The Statue of Liberty Disappears,” when Martha (Alison Wright) is being taken to her drop-off point to be sent to the Soviet Union. It’s a stunning, hypnotic scene that is completely wordless until she tells her husband, “Don’t be alone, Clark.”

It sounds — and probably should be — interminably boring, but it’s precisely the type of thing at which The Americans excels. No show produces taut, compelling tension through omission better than the FX drama. And it’s a skill the series deploys — more confidently than ever — in its fifth and penultimate season.

The final act of the Season 5 premiere has Philip (Matthew Rhys) and Elizabeth (Keri Russell) just digging a massive hole. The second episode features Elizabeth standing solo in a lab surrounded by insects, and the third episode released to press features a beautiful scene of the pair in their latest cowboy disguises. I won’t say any more — it’s truly one of the most moving sequences the show has ever done.

That naked human intimacy is a testament to showrunners Joel Fields and Joe Weisberg’s commitment to crafting this acutely complex portrait of marriage — to each other, to family, to country. Perhaps armed with the knowledge that next year is the show’s last, the stakes in Season 5 feel even higher even as its trademark slow burns decelerate to a purposeful crawl, and the personal and the professional lines blur further. Continue reading The Americans Is Better Than Ever as the End Nears

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‘The Americans’ Season 5 Review: Drama Leaves It All Out On Cold War Battlefield

With rumors of Russian involvement in American politics dominating the news again today, the excellent penultimate season of The Americans feels chillingly much closer to the bone than last year. Debuting on March 7, Season 5 of FX’s Reagan-era spy family drama starring the stronger-than-ever Keri Russell and Matthew Rhys has more tricks and schemes up its narrative sleeves than a Cold War intelligence case officer, which as I say in my video review above is why one of the best shows of the age of Peak TV is feeling more passionate and compellingly convoluted than ever.

Set to end after six seasons, the 13-episode fifth season of The Americans, from what I’ve watched, is simply not prepared to go gentle into that good night without showing how much fight it still has. Amidst the perils of teenage dating, agricultural warfare, new families and faces, and corruption on the shelves and among Moscow’s Soviet elite, one blow of many that The Americans brings in this increasingly darker cycle is a new poignancy.

For those of us who grew up when the Soviet Union existed, the tale of Russell and Rhys’ ruthless but conflicted KGB agents posing as travel agency-owning D.C.suburbanites has always had a masterful touch, playing into the paranoia of the ever-simmering superpower conflict (real and imagined). While written and filmed months in advance, this season of the series executive produced by Joe Weisberg and Joel Fields has found new lifeblood as the real-life relationship between former Cold War adversaries the U.S. and the Russian Federation as ruled by Vladimir Putin, bringing spy craft, deception and intentional interference in the American way of life to the fore.

You can see more of why I think this new season of The Americans is so good by clicking on the video review above. But let me give a shout-out to the performances of the better-than-ever Holly Taylor, Costa Ronin, the never-to-be-underestimated Noah Emmerich, Frank Langella and Emmy-winning Margo Martindale. To play on as high a level and high a wire as Russell and Rhys do is a challenge for the best of the best, and these cast members rise to it.

Source: http://deadline.com/

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‘The Americans’ Season 5 to Feature More Family Bonding

When viewers last saw the Jennings family on The Americans, dad Philip (Matthew Rhys) was walking teenage daughter Paige (Holly Taylor) back to their house, angrily insisting she avoid hanging out with Matthew, the teenage son of their FBI agent neighbor, with whom she’d gotten increasingly close. Even though Paige now knows the truth about her parents — that they’re Russian spies — the question remains whether she’ll join the family business. Still, she’s already been collecting intel (and reporting back to her parents) on her minister, Pastor Tim, after revealing the family’s secret identity to him. And she reported back to her parents what Matthew told her about his dad’s work.

So is Paige romantically interested in Matthew or just using him to get information about the FBI as a prospective spy?

Speaking to The Hollywood Reporter at The Americans’ season-five premiere in New York over the weekend, Taylor said “it’s a little bit of both. And, as teasers for season five show Paige continuing a relationship with Matthew, perhaps knowing what she does about her parents makes her feel like she can push the boundaries as a teenager. Continue reading ‘The Americans’ Season 5 to Feature More Family Bonding

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How Matthew Rhys and Keri Russell learned to stop worrying and love their characters’ chilly fates

All along, certain viewers have found “The Americans” too grim to bear — too nail-bitey, too much stress on the throw pillows.

Understandable, comrade, but try filming it. The show’s intense late-fall and winter production schedule gives it a natural grimness that would be costly to replicate. Gray skies, dead leaves, bare trees and the occasional snow flurry cast a dour, Muscovite pall on the Reagan-era sunshine.

Set in and around Washington (and, increasingly, Moscow) during the mid-1980s, the show is filmed in Brooklyn, where, on a painfully frigid 20-degree Thursday in December, a residential street has been cleared of present-day signifiers for a scene in an upcoming episode of the show’s fifth season. Cars parked along the block have been replaced by a fleet of Iacocca-style beaters, and, once the camera starts rolling, a plain brown wrapper carrying the Jennings family — covert Russian spies Philip and Elizabeth (played by the show’s co-stars, Matthew Rhys and Keri Russell) and their increasingly anxious 16-year-old daughter, Paige (Holly Taylor) — rolls up to a nondescript apartment building and parks.

It’s a big day for Paige. Her parents have decided that it’s time for her to meet their mysteriously calm but always stern supervisor, Gabriel (Frank Langella).

GALLERY LINKS:
– Photoshoots Washington Post – March 2 2017

Continue reading How Matthew Rhys and Keri Russell learned to stop worrying and love their characters’ chilly fates

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Keri Russell and Matthew Rhys Talk Russia at the Premiere of The Americans

“I wear some pretty serious shoulder pads,” crowed Keri Russell at the season five premiere of her FX drama The Americans. “I mean, very serious shoulder pads!” The series, which is set in the early 1980s, features Russell and Matthew Rhys posing as two Soviet KGB officer happily living in the northern Virginia suburbs of Washington, D.C. The former Felicity actress is also slightly in awe of another aspect of the period clothing—cinched waists. “We don’t wear anything on our waists anymore,” she said. “Everything’s like lazy. It’s hard to eat five tacos at lunch and put those pants back on. A lot of times I can’t. “Russell’s on-screen (and off-screen) partner Rhys also expressed a kind of bemused horror with the era’s fashion. “High-waisted jeans,” he exclaimed. “You go, ‘Why can’t I wear this after my lunch?’ And you realize why. We’ve been very subtle in the use of shoulder pads, but even still you think, ‘What were they thinking?’ It was madness, a decade of madness, so thank goodness it’s over.” On a more serious note, show creator Joseph Weisberg admits that the show’s parallels to President Trump’s embroilment with Russian authorities, along with rumors of election tampering, have been surreal to say the least. “It’s very disconcerting,” he admitted. “It was not our plan at all.” After a screening, the cast including Holly Taylor, Keidrich Sellati, and Noah Emmerich partied at the Plaza Hotel alongside Mika Brzezinski and Joe Scarborough from MSNBC’s Morning Joe.

Source: http://www.vogue.com

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Tacos, Portraits and Jookin With Rag & Bone

“We were all very drunk,” Matthew Rhys said. “And we were like, ‘Yes, yes, of course!’”

“He said there’d be free booze at the party — that’s the only part I remember.”

Matthew Rhys, the Welsh actor currently starring on FX’s “The Americans,” was recounting how he and partner (and costar) Keri Russell came to be featured in Rag & Bone’s fall portrait collection Thursday night — the details of which are, apparently, a tad fuzzy.

Rhys and Russell circled through the gallery space on Tenth Avenue, bottles of Peroni in hand, alongside a press-apprehensive Thom Yorke (who doubled as a DJ for the party), Haley Bennett, Amber Valletta, Joan Smalls, Dylan Penn and Mikhail Baryshnikov.

“Marcus is our neighbor, and our kids go to school together,” Russell said, standing near her portrait. “[We knew him] literally just from the kids at school, from bleary-eyed, unbrushed teeth drop-offs with kids at school. And then someone was like, ‘Oh no, he’s [the Rag & Bone designer].’

“We were are a birthday party and he said, ‘Do you want to do this thing?’” Russell continued. “We were all very drunk,” Rhys clarified. “And we were like, ‘Yes, yes, of course!’”

The two appeared like naturals in their respective portraits — though the Rag & Bone collaboration didn’t stir up any modeling inclinations. “Oh, I signed with Models 1 — was it Models 1? Yes, I’ve got a campaign,” Rhys said dryly. “You’re going to be doing women’s lingerie,” Russell joked, before adding, in sincerity, “No, everyone at the shoot was, like, way cooler than we were.”

Nearby was Emma Sulkowicz, who rose to Internet prominence during her time at Columbia University for her sexual assault awareness performance art piece “Carry That Weight.”

“They told me they were taking pictures of women they admired? It seems like that’s not the theme anymore,” said Sulkowicz with a laugh of her portrait, which was taken the day prior. “And I don’t actually really know what this is — but it was really fun!”

Despite not knowing exactly what the party entailed, the Columbia grad — now a student in the Whitney Museum’s independent study program — was nonetheless enjoying the experience. “It was my first time ever getting photographed, in this kind of situation,” she said. “I’ve never had anyone fuss over my makeup before — on a very fundamental level I think it feels nice. I’ve never experienced anything like it.”

Rag & Bone aren’t the only ones to reach out to the recent grad. “I got asked to be in this Elle hair thing — they’re doing a thing on people with hair that they like,” she said. “But then they ended up not wanting me anymore. It was very mysterious, they e-mailed my studio e-mail…”

Just past 9:30 p.m., as the party had moved to a neighboring room boasting whiskey and Tacombi tacos, the crowd parted for dancing. Recently exited Elle fashion news director Anne Slowey and the dancer and model known as Lil Buck took to the clearing for a round of Jookin, a dance popularized — at least with this crowd — by Lil Buck. Fashion week: full of surprises.

Source: http://wwd.com

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