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It took 20 minutes for the cast and creators of “The Americans” to address the elephant in the room.

For a show that centers around undercover KGB Russian spies in America, bringing up President Donald Trump seemed like an expected segue. During the FX show’s FYC event at the Saban Media Center at the Television Academy on Thursday evening, Joe Weisberg and Joel Fields, executive producers and writers for “The Americans,” said they already broke the story for Season 5 right as Trump was getting elected and preparing to enter office.

Fields said when writing, they tried to isolate themselves into a bubble of the 1980s to stick to the show’s setting. However, the current political climate subtly tapped onto their subconscious. Continue reading The Americans Look Back at Season 5, Tease Changing Season 6 at FYC Event

Well, hey, look who dropped by for a visit — it’s Tuan and his parents! Come right in, the Morozovs say, Pasha should be upstairs.

He’s upstairs all right, bleeding out on his bed after an attempted suicide. Tuan told him to do it to get their attention (part of a blackmail scheme to drive the family back to Moscow so the mother can continue her affair with a CIA operative).

Philip and Elizabeth are horrified by Tuan’s actions, and they’ve taken an incredible risk in showing up unannounced for a “casual” visit that ends with Pasha being wheeled into an ambulance in critical condition

An American surveillance agent who sits outside the Morozov home to monitors potential threats helps rescue the boy and comes into close contact with Philip and Elizabeth, who are now (potentially) part of whatever investigation may follow.

The exposure here is immense, but Philip and Elizabeth’s consciences won’t allow them to sit back and let this nightmare play out.

Afterward, Alexei finds his son’s note: “He is sorry… but he cannot live in America.” Continue reading The Americans finale recap: The Soviet Division

Joe Weisberg and Joel Fields break down the FX drama’s penultimate finale episode and look back on the recent season: “We thought we were moving pretty fast.”
The fifth season of The Americans ended with a twist on Tuesday.

The jam-packed season finale of the FX spy drama saw Philip (Matthew Rhys) and Elizabeth (Keri Russell) seriously contemplate a return to Russia but ultimately decide to stay put. The episode, a rare one co-written by showrunners Joel Fields and Joe Weisberg, was directed by series vet Chris Long.

“We felt it was very emotional,” says Weisberg, looking back on the season. Fields adds that the pair have heard from viewers that the recent episodes have felt slow — but they feel differently about the pacing. “We thought we were moving pretty fast,” he says. “I mean, they got married. Elizabeth told Paige [Holly Taylor] about her rape. Phillip found out about his father. Gabriel [Frank Langella] left. We can hardly keep up. We’re exhausted.”

The series has become more topical this year due to striking parallels between U.S.-Russian relations today and those explored in the show. “If anybody had said a few seasons in that suddenly Russia would be perceived as the greatest threat and possibly one of the greatest enemies that the United States possibly has, we would have said, ‘That’s insane. You are bonkers,'” says Fields. Continue reading The Americans Showrunners Talk Emotional Season 5 Finale

The Americans showrunners Joe Weisberg and Joel Fields take our questions about the season 5 finale and some high points from the acclaimed FX drama’s penultimate season. (Note: Spoiler alert for anybody who is not yet caught up.)

ENTERTAINMENT WEEKLY: So before we can talk candidly: Is Henry here?
JOEL FIELDS: Not to our knowledge, but we have not swept for bugs today!

Whew, okay. First I want to start with something I loved this season: The darkroom scene a few episodes back was amazing. Just terrific editing, the music choice, performances. You made reading a pastor’s diary riveting.
FIELDS: That’s a scary scene to write. If Chris Long isn’t your producing director, it’s especially scary, but we knew we were in good hands. The entire team delivered sensationally. But when you sit down and decide to hang really the entire landing of the episode, and a key transformational moment in your big season and series-long stories, you’re hanging them on the audience reading photographed pages from a diary, it’s a real challenge. I remember sitting right here in The Vault — this is where we do our writing — and we were talking about how that was going to be filmed, and how close you could get to the photos and what you could expect the audience to read. It’s a real testament to the filmmakers on the show how powerfully that landed. And it really captured what we hoped to capture — Philip (Matthew Rhys) and Elizabeth’s (Keri Russell) experience of reading that with their daughter and catching the landing of those phrases.
Continue reading The Americans producers on finale, and if season 5 was too slow